Oh Dietrich

 

“I’m a doll. A real doll.”

I haven’t forgotten about or given up on this blog. My circumstances simply changed and I’ve not been able to dedicate any resource to it.

My intention is to write an essay on the Women in Prison films Franco directed for Erwin Dietrich – specifically Barbed Wire Dolls, Wanda the Wicked Warden, Love Camp and Women in Cellblock 9 – and publish it this side of Christmas. I will then endeavour to get one more piece up over the festive period – most likely a review of either Doriana Grey or Blue Rita.

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Updated to add, Barbed Wire Butchers can be found here.

Possessed by Jesus

 

“You are like some mysterious, compelling character from the pages of a fairy tale.”

This may be my last post for a little while. Fittingly, it feels like the end of a chapter. My review of Lorna . . . The Exorcist can be found here.

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The Sadist of Eurocine

 

“We must know evil to be able to fight it.”

As stated elsewhere, my first exposure to Franco’s cinema came in the mid-nineties, when Redemption Films released a slew of key titles on VHS. Sadly, the UK was subject to severe censorship during this period and a number of those releases – A Virgin Among the Living Dead and Female Vampire, to name but two – suffered cuts as a result. Worse still, two films – namely, Demoniac and Sadomania – were banned outright. I’m working on a review of the former – better known as Exorcism these days – at the moment. In the meantime, my long overdue introductory essay can be found here.

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Updated to add that the review of Exorcism can be found here.

Jess the Francophile

 

“I am a shadow among the shadows.”

Franco directed approximately 30 films between 1971 and 1974, the overwhelming majority of which were funded in whole or in part with French money. This is the period in which he worked extensively for Robert De Nesle, in which he renewed his working relationship with Marius Lesoeur of Eurocine.

I will be covering this period with three essays, which will breakdown as follows:

Christina on the other side of the mirror ’ will deal with A Virgin Among the Living Dead and The Other Side of the Mirror.

Robert De Nesle and The Monsters from Hell’ will deal with Dracula Contra Frankenstein, The Erotic Rites of Frankenstein and La Fille de Dracula.

‘La Comtesse Romay’’ will look at Plaisir a TroisLa Comtesse PerverseLa Comtesse NoireLorna the Exorcist and probably Exorcism.

I may supplement these with reviews of individuals films which do not sit easily within these groups, such as The Demons and Sinner, perhaps even The Lovers of Devil’s Island.

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The Green Eyes of the Devil

 

“Films are outmoded, don’t you agree?”

My first exposure to Jess Franco’s cinema came in 1993, when Succubus appeared as part of Redemption’s initial tranche of VHS releases in the UK. It would be disingenuous to say I remember my response to that first viewing, but I think there was a degree of bewilderment, perhaps even disappointment, and this may have been in part due to the film’s failure to deliver on the promises of its box art. How naive I was. It’s probably also fair to say I lacked the patience – or at least the experience – to cope with its ambiguities, its extended dream sequences and elliptical structure. Click here to find out to what extent that has changed.

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